"Mockingjay, Part 2" gets all "Arrival of the King" toward the end, highlighting no less than three false endings, with character "disclosures" that are a wide range of off-base. On the off chance that they're not as of now done without conclusions (Donald Sutherland's Snow, Julianne Moore's Alma Coin), they are essentially immature (Gale and the late Philip Seymour Hoffman's Plutarch). Indeed, even Katniss' defining moment is burglarized of its energy on the grounds that it's so plainly obvious. Possibly this stuff was simpler to pull off in the book.
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